SPADA, Lionello
Italian Baroque Era Painter, 1576-1622 Italian painter, active mainly in Emilia. His signature was an L placed across a sword [Ital. spada=sword]. His work shows influence of the grand manner of the Carracci, as in The Burning of Heretical Books (San Domenico, Bologna), and of Caravaggio's naturalism, seen in dramatic religious and genre scenes such as The Way to Calvary (Parma). In his late works his manner became softer and warmer under Correggio's influence. An example is The Marriage of St. Catherine (Parma).
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SPADA, Lionello The Concert wtr oil painting


The Concert wtr
c. 1615 Oil on canvas, 143 x 172 cm Mus??e du Louvre, Paris
Painting ID::  9145 		SPADA, Lionello
The Concert wtr
c. 1615 Oil on canvas, 143 x 172 cm Mus??e du Louvre, Paris
   
   
     
SPADA, Lionello St Jerome ear oil painting


St Jerome ear
1610s Oil on canvas, 112 x 143 cm Galleria Nazionale d'Arte Antica, Rome
Painting ID::  9146 		SPADA, Lionello
St Jerome ear
1610s Oil on canvas, 112 x 143 cm Galleria Nazionale d'Arte Antica, Rome
   
   
     
SPADA, Lionello The Return of the Prodigal Son (mk05) oil painting


The Return of the Prodigal Son (mk05)
Canvas,63 x 47''(160 x 119 cm).Ducal Gallery in Modena;entered the Louvre in 1797
Painting ID::  20374 		SPADA, Lionello
The Return of the Prodigal Son (mk05)
Canvas,63 x 47''(160 x 119 cm).Ducal Gallery in Modena;entered the Louvre in 1797
   
   
     
SPADA, Lionello Un concert du musique oil painting


Un concert du musique
mk70 Toile. H.1.42 L.1.72 Maisons-Laffitte,Chateau
Painting ID::  30998 		SPADA, Lionello
Un concert du musique
mk70 Toile. H.1.42 L.1.72 Maisons-Laffitte,Chateau
   
   
     
SPADA, Lionello Enee et Anchise oil painting


Enee et Anchise
mk70 Toile H.1.94 L.1.33 Paris,Musee du Louvre
Painting ID::  30999 		SPADA, Lionello
Enee et Anchise
mk70 Toile H.1.94 L.1.33 Paris,Musee du Louvre
   
   
     
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     SPADA, Lionello
     Italian Baroque Era Painter, 1576-1622 Italian painter, active mainly in Emilia. His signature was an L placed across a sword [Ital. spada=sword]. His work shows influence of the grand manner of the Carracci, as in The Burning of Heretical Books (San Domenico, Bologna), and of Caravaggio's naturalism, seen in dramatic religious and genre scenes such as The Way to Calvary (Parma). In his late works his manner became softer and warmer under Correggio's influence. An example is The Marriage of St. Catherine (Parma).

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